In the end of the 80sand in the early 90s, Roxette, a pop-rockduo from Halmstad, Sweden, stood among the top bands in worldwide sales and notoriety, brandishing a simple yet effective blend of pop with a slight edge and occasional hints of dance. The group claims influences ranging from The Beatlesto Blondieto new wave music to Joni Mitchelland Aretha Franklin. Perhaps, years after the fact, Roxette's popularity can be difficult to understand or appreciate in light of what critics considered its infectious but nonetheless lightweight music, lightweight even compared to what was otherwise on the airwavesat the time. Regardless, there was a time in 1991 when Roxette could command an arena filled with tens of thousands of fans in places as diverse as Buenos Aires, Frankfurt and Sydney. The 1992 release Tourism: Songs from Studios, Stages, Hotelrooms & Other Strange Places -- with a recording of audience members singing along to the tune of the group's biggest hit, " .
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D gris sin ilusin. Dnde va mi corazn. Necesito descansae. Esteno es un da ms / Sola, desolada, esperando al sol. Anmate que lomalo pasa. As es la ley, esa es la verdad. Porque no hay mal quecien aos dure. Espera con valor el da del amor / Qu ms da cmote va. A veces bien, a veces mal. Nada que hacer, solo esperar ysabe Dios lo que vendr / Sola, desolad, esperando al sol ... / Oh,oh ... Oh, oh ... / Sola, desolad, esperando al sol ... / El da delamor.